Tough Guys Don't Dance
I had never read a word Norman Mailer wrote; I only knew him as a celebrity hothead and occasional public embarrassment. I knew that Mailer got away with stabbing one of his wives. (He only stabbed the one--there were five others.) Misogynist behavior and rantings are turn offs for me, so why would I ever pick up one of his books? If Mailer wasn't a good celebrity, why would I think he was a good writer?
Tough Guys Don't Dance changed my tune. The second of two books I bought for a buck each at the Lower East Side book fair (see A Widow for a Year post), TGDD turned out to be a great read.
Mailer passed away last November and according to The New York Times obit:
. . . Mr. Mailer said his favorite novel, if not his best, was “Tough Guys Don’t Dance,” a mystery thriller he wrote, under extreme financial pressure, in just two months in 1984. He was in tax trouble, he explained, and needed to crank something out quickly. “I was prepared to write a bad book if necessary,” he said, “but instead the style came out, and that saved it for me.”
Mailer is beautiful writer, even when writing from the perspective of a "tough guy" who may or may not have committed murder during a drunken blackout.
Hell-Town
Anti-hero Tim Madden rattles around an off-season New England beach town. He is a man who doesn't seem to belong there.
Madden lives on the edge of "Hell-Town," a half-real, half mythical place where demons whisper in his ear. Madden fears his capacity for violence and a reader has every reason to believe he committed a murder or two when in the clutches of bourbon.
When Mailer introduces the Madden's fellow townies, everyone becomes a suspect. Through lyrical prose and raw violence, the events of the forgotten night are pieced together.
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